My painting combines figuration and abstraction. Papers and canvases are designed from picturial objects, often things, but also landscapes, figures, inscriptions, etc. These realities are like a pretext to the exercise of painting, of composition. What matters is the space of the canvas or the paper . My painting does not aim to erase the realities; but it's a world in itself.
Drawings,
canvases and papers can be organised according to four sets,
Animality/Humanity, Thing/Nothing, Fruit/Flower/ City/Landscape. These sets represent the parts of reality I use to the exercise of pictorial composition.
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